"The most beautiful moments, the most
dreadful quarter hours," to quote the wag
with a perhaps a touch of envy at the staggering
with a perhaps a touch of envy at the staggering
ambition of his totalizing contemporary.
You don't have to be a huge fan of either,
You don't have to be a huge fan of either,
nor of opera, nor even of animated parodies
involving carrot-chomping cartoons in blonde
wigs and horned iron helmets to feel the pull
of that witticism, to feel, in a slightly offended,
of that witticism, to feel, in a slightly offended,
slightly contented sort of way, your life
resembles that remark. Moments remain
memorable for being unretainable,
for never remaining, not even even for
one moment, while clock wings, sundials,
moons, seasons, calendars, forever
entertain the stunning power
of appearing stupendously inert
You can feel this, yes, and yet never
guess whether the quarter hours
are the actual authors of the beauty
with which the moments, passing
as these rustles of light rearranging
shadows, manage to enchant us.
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